Music Production

The Secret to Benny Blanco's Unique Chart-Topping Hits

Benny Blanco is the best new producer you may actually have heard of! Some industry giants never break through to the spotlight (usually out of choice) but recently Blanco hit the charts in name with Halsey and Khalid with their new single Eastside.

BB.jpg

Not that it was Benny’s first experience with a chart topping hit. Quite the contrary, this oddball producer from North Virginia has a hand in everything from Britney Spears, Katy Perry, Kesha, Taio Cruz, Maroon 5, Ed Sheeran, Iggy Azalea and Kanye West. That would be an impressive list for any professional producer, now consider he’s done it all by the age of only 32. 

The secret to Benny Blanco’s success comes down to his incredible, infatuating friendliness. As he states himself, “I think maybe once or twice in my career, maybe, I’ve done a song with someone who’s not my friend.” When your work environment is filled with joy and good vibes, regardless of the industry, it’s no wonder you get something great. 

Despite all this, and his new place as the title artist on a track, Benny maintains he, “definitely [doesn’t] want to be famous at all.” 

Regardless of if you want to be the mastermind behind the scenes or at the centre of a mass of screaming fans, there is certainly a lot to be learned from Benny Blanco. 

BB n H  n K.jpg
 

How to Make a Remix

Making a remix can be a great way to get recognition from some of your favourite artists. If you make a great remix that catches the attention of the original artist, you might just get a valuable shoutout that can kick start some interest in your other work, but getting a remix right can be a tough job. 

In an interview with KiwiBox from 2008, Benny outlines his process for making a great remix that is something unique, but still pays tribute to the original. 

1. Start with the acapella

The first step to the process is just getting intimately familiar with each core element of the song, in pop this might be the chorus acapella or a funky guitar lick. Listening to this element on it’s own and in the song many times will start to get the creative juices flowing while understanding what actually makes the original so great. 

2. Take a break

This might seem counterintuitive, but amazing music doesn’t always flow right off the bat! Once you have the melody and some ideas in your head, sometimes the best thing is to just think about it for a while, take a short nap or refresh with a light snack before taking the producer chair with some new, fully formed ideas. 

3. Make it different

There is no one size fits all strategy to a good remix but generally you want to make it different, better but still familiar. For example, check out the difference between the original, and Benny Blanco’s remix of Katy Perry’s “I kissed a girl”. While taking elements of the original song, Benny chops them and adds familiar sounds with new melodies. Although it is still pop, the remix takes significant influence from neighbouring 90s dance music genres therefore being different, familiar and (arguably) better. 

BBStudio.jpg
 

Connect with who you’re working with

As stated before, Benny Blanco will say time and time again that (almost) everyone he works with is a good friend, “I never try to stress it, I go in and I have fun with my friends.” The trick, according to Blanco is to just let things happen naturally. 

Being able to connect with someone personally, and getting to know them outside the studio will go a long way to making a song that not only works but shows off everyones best quality. 

Not to say that it’s smooth sailing every day. Getting in the studio and laying out some ideas should be an incredible and fun process, but there are many aspects of song finishing that still need a nitty gritty and focused touch. 

BB n ES.jpg

“What I can do is meet an artist, know what type of song I think we should make and be their therapist, make everyone feel comfortable.” Benny Blanco.

The results should speak for themselves, including the legendary singles, Don’t by Ed Sheeran, and Love Yourself by Justin Beiber

 

Song Structure Buildup

Benny Blanco is a verified pop music master, and if you’re familiar with any pop music from the last 2 decades you’ll recognize the incredible energy that is carried throughout a song. 

A common misconception might be that the energy is held at a high level the whole time, but Blanco posits that as opposed to maintaining energy it is actually about a constant cycle. 

Starting with energy is classic pop music trope but it’s often a good idea to include a brief interlude before the chorus where the energy dips slightly and the mix gets wider creating a moment of calm (think of it like the eye of a hurricane). Shortly thereafter however, in comes the chorus with the highest point of energy in the song before returning to the verse to its original point and a slow buildup once again. 

As Blanco himself puts it, “it’s not so much what you hear, it’s so much the feeling it gives you.”

pexels-kai-pilger-1128440.jpg
 

Sound Different

While it is still important for a song to be captivating and relatable as Blanco states, “There continuously has to be something exciting to the ear.” Similar to his advice on song structure, you have to be able to catch people’s attention within the first 10 seconds and hold it for a full 3 minutes. Even the man himself muses that he only really skims through the 100 songs he downloads a day until something really catches his ear. 

Another way to think about it is in the form of a 3 hour DJ set compressed into 3 minutes. Each subsection of buildup, verse, chorus, and drop is itself split into subsections and constantly projecting what to expect from the next part while staying fresh. “You can’t just flow things, it has to be like ‘Bam’.” Says Blanco. 

The idea of sounding different extends to the instruments used during a song as well. Although he might be making pop, Benny Blanco is always trying to find new and interesting instruments that will give that exciting ear catching vibe just mentioned. Adding sounds and elements that may even be slightly out of tune will give your songs a much more interesting character, especially when surrounded by music created entirely in the box with all perfect pitch. 

As Blanco puts  it, “I just wanna use things where when people hear it, theyre like, I’ve never heard that!”

pexels-pixabay-164935.jpg
 

Conclusion

“My style is different every day” - Benny Blanco

When you’ve made a career producing huge pop hits over and over with some of your best friends, it can be hard to pinpoint just one thing that makes you different. Indeed, every one of these tips contribute to Benny Blanco’s incredible success up till now and without a doubt, far into the future. 

One thing that cannot be ignored however, despite how humble Blanco may be, is just how important his awesome work ethic is to his success.

Back in the Myspace days when Blanco was still trying to get a footing he would not stop working towards his dream despite countless failed phone calls with label execs, pretending to be artists lawyers and even sleeping on couches in New York just to get that moment of face to face time with someone that makes industry decisions.

In retrospect it is easily all worth it, having glowing references from almost every artist including Kanye West and even John Janick, CEO of Interscope Geffen A&M. 

BB H.jpg

For all of us still in the grind however, it’s all too easy to be discouraged. You might have all the necessary components of a successful song, but if no one hears it (or more importantly, the right people don’t hear it) it will never get off the ground. Collabing, working with and making friends with “people who are much better” (in Blanco’s words) is essential to breaking through into this amazing, but sometimes unforgiving, world of popular music. 

- By Erik Steiner

If you want to listen to Jony and Erik discuss more about Benny Blanco and tips on how to succeed in the music industry listen to the Jony Studios Podcast Episode 8 here:

If you’re interested in hearing more amazing production and audio engineering tips make sure to keep up with our industry spotlight series and all other blogs on our website.  

Furthermore, if you are interested in elevating your music career through professional mixing and mastering check out the many services we provide at Jony Studios.

 
 

How to Improve Your Home Recordings Using Acoustic Treatment

You often see them in sound booths, movie stages, and high end studios and they look like strange structures coming out of the wall...but what are these things?

Usually made of spongy or wooden material, they act as more than just a neat wall decor!

Acoustic treatment is a common practice in sound engineering which prevents unwanted frequencies from bouncing around your studio like a kid on a sugar rush. Sometimes in a standard room, the audio frequencies need a place to go so they travel and bounce off reflective surfaces, like your walls or floor. This can lead to muddy mixes, poor audio quality, and a poor understanding of what you’re actually hearing.

 

How does it work?

Acoustic treatment has multiple different forms to tackle its different opponents. Basic absorption is generally used to remove higher frequencies. These tend to look like pyramid or triangle formations sticking out of the wall and they do a great job at absorbing unwanted sound energy from the high end. 

But what do you do about that nasty low end?

It’s often annoying when your neighbours are having a party, and all you can hear is the roaring bass pumping through the walls.

In a process called “bass trapping”, engineers will equip bare corners of a room with bass traps  to create what’s called a “standing wave”. These are corner foam pieces that are designed to trap lower frequencies and keep the sound tidy.

And for everything in between, there are diffusers. These are oddly shaped treatment devices that rely on sound dispersion as opposed to absorption. To put it simply, these guys spread out the sound energy in various directions to avoid direct sound travel. It’s why standing in a gym tends to sound more loud and noisy compared to standing in a movie theatre.

For more information on how acoustic treatment works, here is an article from IntechOpen on acoustic materials.

But how can you apply acoustic treatment for your home studio?

 

Can You Build an Acoustic Diffuser…

There are many ways to equip your studio with an acoustic diffuser, but they don’t come cheap.

Amazon is currently selling home studio diffusers for $35 per square foot. But there must be an easier way to do this!

SoundAssured has an article covering the building process of an acoustic diffuser for under $20! You can find the article here.

For the most part, home studios mostly need absorption of mid-range frequencies. These are the frequencies that tend to mud up our mixes and sound. The easiest approach to constructing a midrange acoustic diffuser is to build what’s called a “skyline diffuser”.

This is best described as a single piece of wood with various lengths of foam rectangles protruding out. 

 

Conclusion

Acoustic diffusers are a common tool in the industry when it comes to basic studio sound design. Though when the truth is told, it is best to seek professional assistance when working in or building your home studio projects. If you have any questions or concerns around sound engineering and other services provided by Jony Studios, feel free to ask us in the comments!


If you need further help creating your own music, we offer audio production services that will help you elevate your sound and bring your song to life!

We look forward to being a part of your success.

Contact us here to get started.

 

How to Master Your Song on a Budget

How to Master Your Song on a Budget-2.jpg

It comes as no surprise that automated mastering has changed the way artists produce and release their music. Gone are the days of investing your hard earned money towards a fancy, over equipped studio, only to find out you’re still a few hundred dollars away from actually finishing your release! There had to be an easier, more affordable way for indie artists to get their music quality up to par with the industry without breaking the bank, and the market supplied!

With services like eMastered, LANDR, and Aria the mastering process has never been easier or cheaper! Now for a small fee, artists can employ their very own “virtual engineer” to take their finished song and make it radio ready. But this inevitably begs the question: 

“What service provides the best solution for me to master my track on a budget, and is it worth it?”

Short Answer:

It depends.

 

Let’s Compare

There’s no denying that every artist is different, it’s what makes you special! 

That being said, you wouldn’t master Snoop Dogg’s latest release with the same technique for Burt Bacharach! Ultimately there is no “formula” when it comes to mastering. This only catalyzes the question of “is it worth my money for AI to master my music?”

 

eMastered

 
 

Leading the market in artificial mastering, eMastered has made its way into the hearts of independent artists around the globe. The service recognizes the hesitation around trusting a website to master your audio, and has shown attempts to work around that to satisfy customers. 

With various genre specific settings, 100% high-res WAV file delivery, and free testing before purchasing a plan, eMastered takes that extra step in ensuring quality for their users.

But is it worth the price?

The most affordable plan comes in at $168 for a yearly subscription, and the cheaper price tag ultimately comes with a cost.

eMastered is currently unable to upload and master more than one audio file at a time, and does not include any digital distribution services. As a result, this ultimately leaves another bill to be paid down the road. So how can artists get good quality results without requiring additional distribution fees?

eMastered Pros:

  • Professional, high resolution delivery

  • Easy customization and adjustment

  • Payment not required to test functionality

eMastered Cons:

  • Digital distribution is not included

  • Slow processing rate per track

 

Aria

 
 

With the highest price point in the independent market, Aria is taking an alternative approach by embracing analog gear and techniques into their automated mastering service. 

With the biggest selling feature being their 100% analogue processing, it gives artists seeking an “authentic” sound an opportunity to have a real time studio master. This simple, yet professional approach justifies the large price tag of $19/song, pushing artists towards the $600/year plan at 10 songs per month. 

This option might be suitable for noteworthy artists such as Tom Walker and Phé, but admittedly for independent artists, it doesn't not provide distribution or much customization for the high price range. 

Aria Pros:

  • Easy to use

  • True studio quality

  • Analogue processing

Aria Cons:

  • High price range

  • Noncustomizable 

  • No digital distribution

 

LANDR

 
 

LANDR is currently standing as the largest competition for eMastered in the eyes of independent artists due to the low price and simplicity of the service. 

With a rate of $48/year for the basic package, it provides artists with unlimited, quickly mastered audio. However, LANDR currently charges additional fees for better audio quality outside of the lo-mp3 quality, which isn't supported on all streaming platforms. LANDR is providing the cheapest, quickest compression tool to bring your volume levels up to par without much distortion. 

LANDR Pros:

  • Low price point

  • Easy to use

LANDR Cons:

  • Low quality export

  • Costs more to boost quality

 

What to do?

When an artist is looking for the absolute best way to get their tracks mastered on a budget, there is no single answer that works for everyone. 

Every service definitely has their strong and weak points, but the answer really is in the eye of the beholder. No artificial intelligence will get close to what an authentic mastering service can provide. In the world of independent, self funded artists, automated mastering may be an easy way to save a few dollars but you’ll never reach the quality of an experience mastering engineers' magic touch. For more information on automated mastering check out this article by Sage Audio.

 

Conclusion

When it comes down to music quality, the final master of your track is designed to accent and enhance your amazing mix. Mastering is the final task of making a great song become an amazing song. 

As Nathan Allen once brilliantly stated,

“Songs that aren’t professionally mastered are like Ferraris with no paint jobs.”

To learn more about mixing, mastering and marketing services provided by Jony Studios take a look at the website and a follow on social media @jonystudios.


If you need further help creating your own music, we offer audio production services that will help you elevate your sound and bring your song to life!

We look forward to being a part of your success.

Contact us here to get started.