Music Studio

Should You Sign With A Record Label?

Amidst this new era of the music industry, more and more artists are refusing to conform to the confines of the traditional music industry. Especially considering the overload of information about music contracts and labelling deals, artists are now able to make more educated decisions. This includes undergoing a variety of novel paths such as testing new release strategies, marketing or even marketing through social media!

 

 1. Less creative freedom (silence)

Many artists are beginning to realize that their artistic freedom is being challenged more and more while under a music label. Unfortunately in the digital age of social media, artists are facing an increasingly heightened level of restrictions on their artistic freedom which is only more threatened under a label.

When an artist's message stirs off more political concepts especially from women and minority artists, that’s when the lines of artistic freedom become further challenged. Read a very informative article by CIVICUS to learn more about “the state of artistic expression”. 

For example: in MIA’s song, “Borders” has really defied many boundaries by expressing the harsh reality of the refugee crisis in the European Union. With MIA being a refugee herself, she used her voice in a powerful way by speaking up for the rights of humanity.

 Unfortunately, none of that matters when she was taken for a four-year court battle to take down her video with the NFT. This is all because of her wearing a parody of the “Fly Emirates” shirt by replacing it with “Fly pirates” as a strong statement. Check out an article where VICE interviews MIA about this topic for more information. 

Have a listen of MIA’s song “Borders” below and tell us what you think! 

 

2. The power of self-promotion through youtube, Soundcloud

The music industry no longer has a monopoly on music promotion nowadays. What is great about social media is how anyone has the opportunity to take advantage of the countless abilities to connect with an audience base to build their own brand. Embarking in a music career does not have to be as linear as signing a music label and waiting to get promoted. There are so many chances, marketing techniques and ways to engage your target audience with the power of the internet alone. 

For example, Youtube is now the largest search engine on the internet and now actually one of the most popular platforms to stream music. For example consider Joji, a viral Youtube Star who made his way to become a respected HIT R&B star. I honestly just found out he was a youtube star just recently, and am once again surprised at the power of the internet! 

Check out this interesting article by Time Magazine that goes over Joji's music career from a Youtuber to a famous R&B artist!

 

3. Lack of personal attention

Although, of course, there are some pros for signing with a record deal, however, the matter of the fact is, many artists are left fighting for attention from their label. This is mostly because of the fact that how large and influential music industries are (which is definitely a plus). However, this means that many agents come and go because of high staff turnover. In other words, the person you may have connected with your music, may not be working with you the next day.  

Despite how huge and influential music industries are, this also means you are likely to be fighting for attention. This is even more amplified if your music doesn’t sell charts right away. In this case, it may be difficult to get a label representative to return phone calls or not getting enough promotion. As a result, your music may not be as prioritized any longer, even if your music does have potential.

 

4. No guaranteed that labels equal success (not like before in the 90s)

Back in the 90s, signing to a label meant that you were destined for great success. Now, the music industry is changing rapidly as the labels find new ways to generate revenue. Due to the fact that music is now sold through streaming services instead. As a result, this changed the music industry's role to artists drastically which basically means that music labels can no longer guarantee success.

 On the other hand, many artists are starting to go solo to take advantage of the increased freedom that music streaming provides. Take Chance the Rapper as a perfect example of someone who achieved great success through using mixtape sites, touring and constant creation all without ever selling a record!

Read this Rolling Stones article for more information Indie artists going Independent! 

 

5. Artists needing to owe record labels an advance

So now I bet you are wondering what happens if you are signed to the music industry and your work isn’t doing too well. Well if you signed a music label, it is likely you have gotten paid an advance which is basically an investment to support the production of your music. If you are new to the industry, it is way too easy to think that getting an advance is your lottery ticket. 

Unfortunately, it is not that simple as the truth is that a record advance is really more of like a credit which you must pay off with your art. Therefore, if you DO sign for a record label it is important not to ask for too much which may limit their ability to market you and your ability to pay them off. This is why it is crucial to NEGOTIATE in order to find out what works best for you and not end up forever in debt.  

Check out the “Music Industry” for more advice if you do want to sign to a record label. 

 

6. Complicated contracts (not being able to keep rights, being able to keep royalties) 

Many of these music label contracts contain so much legal jargon that only highly specialized lawyers can truly understand. Too many artists fall into this trap and end up losing their royalties and the rights to their music. Imagine going on so many tours, concerts and promo only for the record labels to be making millions while you’re left with spare cash. Unfortunately, this is the reality for so many artists throughout history including a variety of different famous artists. 

Sadly, history has shown that a lot of the time, Black artists are left facing the short end of the stick. It is without a doubt Black Americans influenced countless music genres ranging from rock and roll, blues, and jazz. Yet, many of these artists such as Little Richard were victims of poor contracts that left them forced to waive the rights to a variety of his classic songs at the start of his career. Fortunately, in his case, he regained his rights in the 1980s after a lawsuit settlement which further stresses the importance of fighting for your rights.

 

7. Streaming dominating the industry and creating complications

I am sure you heard of countless stories where an artist speaks out about streaming royalties. The case is always due to artists being signed to a label which makes it difficult for artists to gain their fair share of money in return for their views. 

This is made even more complicated when artists are signed under 5 album deals under a music industry that was still at a low point and is forced to continue making music with little return. 

To make it more clear, famous artists like Lil Uzi Vert, who made 8 million from one song, will only make around 2 million simply because of label complication.

 

Conclusion

In conclusion, music labels are becoming more and more complicated. As the internet evolves, there are more and more options for music artists to gain exposure through social media. Either way, it is crucial that artists make informed decisions before signing a label and begin research before signing off to a record label. 

Do you think record labels are still a viable option for artists in this day and age? Let us know in the comments!

By Itman Hassan


If you need further help creating your own music, we offer audio production services that will help you elevate your sound and bring your song to life!

We look forward to being a part of your success.

Contact us here to get started.

 

How to Copyright a Song

Copyright and Other Music Guide-2.jpg

So you’ve got a great sound, you’ve done all the online promotion you can think of and your songs are really getting some traction! You might want to just sit back and watch the play count rise, but unfortunately, there’s still more work to do. The music industry has been notorious for alleged intellectual property theft right back to 1963 and with the rise of the internet, it isbe that much easier to get away with.

While I still believe that most people, in this industry or otherwise, are good, that does not mean you shouldn’t take the necessary precautions to ensure you are not one of those people left in the dust. 

 

Why you should care about music licensing and copyright

Especially as an independent musician, it is paramount that you understand and use the legal system to protect you and your work. Regardless of if you plan on making this a career or not, getting money for something you’ve spent time creating is an incredible feeling, but all of that is gone if it's going to another pocket. 

The word copyright is likely familiar to you, it is used for most forms of artistic expression, or any time there is an author/artist. This first legal term consists of two parts, 1. The Moral right, or recognition of ownership and integrity of the work (important to note that the USA does not recognize the moral right) and 2. The Economic Right, the exclusive right to exploit the work through reproduction or performance for economic gain. 

Music licensing comes in once you have the copyright, and essentially allows certain entities to perform the work on your behalf. Every time a recording or performance is made of a work a license must be obtained from the songwriter or publisher (whoever owns the copyright). Furthermore, this agreement is not exclusive (usually) therefore as the owner you still have the right to reproduce, or perform the work yourself and the right to decline a licensing agreement with anyone in the future. Finally, depending on the nature of the reproduction a different license is required. 

As you might imagine, for large artists, selling an individual license every time someone wants a reproduction would be an incredibly large task in and of itself. For this reason, Performing Rights Organizations (PROs) and Collective Management Organizations (CMOs) have been set up that offer blanket licenses for each reproduction method. Allowing for blanket licenses saves a lot of time for the owner of the copyright itself but does introduce yet another middle man in the whole process. The expertise and specialization of these organizations can be invaluable to the upcoming artist, especially when it comes to understanding the nuances of mechanical, and performing rights, and sync licenses (yeah, of course there is even more to it), which we will go into more detail on later. 

 

How to copyright your songs

One interesting piece of trivia regarding these legal terms is when a copyright is actually obtained. In reality, all you need is to have recorded your song on paper or digitally and bam, copyright gained! The problem is, of course, that no one else knows what you own and when it was created! This can cause some very tricky legal situations of: he said she said, so the real test is the copyright registration. Once you register your copyright with the United States Copyright Office (or your national copyright organization ex. Canada) for example, you’ll have undisputable “prima facie” (another fancy legal term basically stating the other party has to prove the work is not yours, as opposed to the other way around) evidence you created it and on what date.

Registering for a copyright can usually be done directly on the organizations website however there are now more middleman organizations willing to copyright it for a fee, in case the very unfriendly user interface scares you too much. 

 

Metadata

Making sure your work and it’s corresponding owner can be identified is the whole point of this whole exercise, and today, that relies on accurate metadata. Metadata is essentially all the background information on a piece of work including the sound recording data (International Sound Recording Codes), and publishing data (International Standard Work Codes) however coordinating all of this information is still extremely difficult. Combine that with the thousands of new copyrights register every day and some songs never get properly identified. As an artist, you must register your song with as much transparency, consistency and volume of information as soon as you can to avoid identification problems down the line. 

 

Getting licenses

On the other hand, getting the license to cover, remix, or sample a song depends entirely on how you are going to use it but it will comprise 2 categories. Mechanical license, Master licenses, and performing rights. 

Mechanical licenses cover the right to distribute, record, or manufacture a musical work or sheet music therefore they are mostly for download stores. 

Master Licenses are similar to mechanical licenses however they focus on the actual recording of the song as opposed to the elements (composition, melody, lyrics) that make up the whole. 

And finally Performing rights, you guessed it, are the right to perform a song in a public place. These rights are only important for venues, radio stations and for playing the song on TV, so as independent musicians, you shouldn’t have to worry about it. 

 

Cover Songs

Rerecording a song with your own unique performance without altering the melody or arrangement of the original allows you to avoid the Master license and Mechanical License in all streaming platforms however you still require the Mechanical license in some select countries download stores like the USA and Canada.  

 

Remixes

Remixing a song takes the original elements and spins them to alter the melody or any other song element. To release a remix worldwide, no matter the platform or country, you just need a Master License. 

 

Sampling

Getting the license for a song you’ve sampled is the most complicated of the bunch. Despite its prevalence in modern music today, sampling is not recognized as a completely original art form. Due to the vast differences in sampling techniques and the fact that song elements may still remain, both a master and mechanical license is required for worldwide distribution. 

 

Who to contact

Now that you know what kind of legal right you need to obtain, the next step is finding out who can actually provide that to you. 

As stated previously, registering for a license is usually done through a national Performing Rights Organization or Collective Management Organization. These differ by region but a quick internet search can usually direct you to the right place. 

Registering your song for copyright is also typically done through a national organization therefore, again just a quick search will set you right on your way. 

Getting the licenses for your own reproduction can be a little more difficult though. Although registering is done centrally, those rights are still owned by individuals or publishing companies therefore identifying the original songwriter, owner or label should be the first step. This is actually made much easier through copyright databases like Songfile but again, going back to those copyright offices will help as well. 

The various different licenses can cause some confusion here as well, so reaching out and just asking will save a lot of headache down the line but in general, the label will own copyright to the sound recording but the publisher will own the composition. If you’re trying to recreate the song, not play it in public (like those tv channels, and venues) then the composition license is the only one you’ll need. 

When making contact it is again important to be absolutely clear about what song you are inquiring about and what your intention is for it. Sending an explicit letter of intent is the final step to the whole process, so everyone is clear just what is being recreated and how much everyone owes. Make sure to do this at least 30 days before your release date just in case there is any confusion or problems through the whole process. 

 

Conclusion

Music copyright and licensing is one of those behind the scenes parts of this whole industry that can be extremely daunting to the up-and-coming independent musician. One of the big draws of signing to a label can simply be the wealth of experience they have in this respect, so if you’re really seeing a lot of momentum and are willing to invest in that way, it might be a good idea to see if there’s anyone else out there who wants to support you. For anyone else, this blog should be a great first start to the wide world of music licensing. In all cases, make sure you know what the laws and organizations are for your region and if you’re looking for a license to recreate, just contacting the owner directly will never hurt. 

For plenty of more amazing information on music production and promotion, be sure to keep up with our blog and if you’re interested in what Jony Studios can do for your music career have a look at our services page

As always, stay creative!

- By Erik Steiner

 

The Best Poetic Lyrics in Pop Music in 2018

The Best Poetic Lyrics in Pop Music in 2018-2.jpg

We all can agree that 2018 was a big year for music lovers and history. This includes record breaking releases and the mammoth rise of young talent like Post Malone, Cardi B, Billie Eilish and the superiority of drake.   

No one can doubt that the world of pop music has given us plenty of musical gum to chew, both analytical and emotion filled - this has primarily come from the lyrics in pop music. So before we focus on what is coming in the near future in the music industry, we want to pause for a second and reopen your mind to those analytical and emotion filled seconds that made the world stop. Here are our picks for the most thought provoking lyrics of 2018.    

 

Billie Eilish – “Bitches Broken Hearts”

Writers: Billie Eilish, Emmit Fenn, Finneas O’Connell

This mellow, dreamlike song is an engaging song of an ex that can’t let go of her. Lines like the ones below are the reason this song was able to gain a spot on our list, with its very emotional vision and lyrics one can’t forget about.   

“Everybody knows,

You and I are suicide and stolen art (oh yeah),

Pretty moments sews,

Stitches into all your bitches’ broken hearts.”

 

Drake – “God’s Plan”

Writers: Daveon Jackson, Matthew Samuels, Noah Shebib, Cardo, Yung Exclusive, Boi-1da, Aubrey Graham, Ronald LaTour

Drake is a very well known artist because of his strong lyrics and equally amazing beats. In 2018 he released the song “God’s Plan” this song spent a whopping 26 weeks on the Billboard Hot 100’s top 10 spot. It's clear that he is dominating in this industry and in the charts, he also broke his own record for the longest time he spent at number one. But, this is all thanks to that one line that defined a generation:    

“She tells me do you love me,

I tell her only partly,

I only love my bed and my mama I'm sorry.

 

Mitski – “Nobody”

Writers: Mitski, Patrick Hyland

Indie Icon Mitski is on our list for her smash hit song “Nobody”. Anyone listening to this song will note how poetic, beautiful and sad the lyrics are. Her lyrics about wanting to change in order for someone to love her hit home with many listeners. To continue, the song speaks about themes that are often ignored like isolation and yearning for things are often taken for granted.        

“I’ve been big and small,

And big and small,

And big and small again,

And still nobody wants me.”

 

The Weeknd – “Call Out My Name”

Writers: Abel Tesfaye, Adam Feeney, Nicolas Jaar, Frank Dukes

“Call Out My Name” only goes on to further prove that Abel is amazing at grouping emotional lyrics about love and heartbreak in his own style, with his amazing vocals. In this song he wrote about a lover who did not feel the same way. The song is filled with lyrics that we were able to relate to but the following lines were the most relatable:   

“I said I didn’t feel nothing, baby, but I lied,

I almost cut a piece of myself for your life,

Guess I was just another pit stop, ’til you made up your mind.”

Ouch.

 

The 1975 – “Love It if We Made It”

Writers: Adam Hann, George Daniel, Matthew Healy, Ross MacDonald

This modern Rock Bank known as The 1975 have always shown us the truth in a very straightforward but lyrically beautiful way and the song “Love It if We Made It” is a great example. The song is able to be very political, emotional and relatable for the listeners with their thought provoking lines such as:     

“Start with misdemeanors and we’ll make a business out of them,

And we can find out the information,

Access all the applications,

That are hardening positions based on miscommunication.

Oh f*^k your feelings,

Truth is only hearsay,

We’re just left to decay,

Modernity has failed us.”

 

Sophie – “Immaterial”

Writers: Sophie, Cecile Believe, Xeon

The artist Sophie has exemplified tremendous growth in the past years. This is because her lyrics are associated with her identity and do not include her material self. She is also great at combining Existentialism in her lyrics in a manner that is very pop-friendly, such as the following:     

“Without my legs or my hair,

Without my genes or my blood,

With no name and with no type of story,

Where do I live?”

 

Kacey Musgraves – “Golden Hour”

Written by: Daniel Tashian, Ian Fitchuk, Kacey Musgraves

Kacey Musgraves 2018 album Golden Hour contains a wide and beautiful collection of genuine pop music. With gorgeous songs like “High Horse” and “Mother”, it definitely isn’t an album filled with more filler tracks than songs that the listener actually enjoys. But, the song that was chosen for this list is “Golden Hour”:   

“I used to get sad and lonely when the sun went down,

It’s different now ’cause I love the light that I’ve found,

In you.

Baby don’t you know?

That you’re my golden hour,

The color of my sky,

You’ve set my world on fire,

And I know, I know everything’s gonna be alright.”

These lyrics are romantic, beautiful and evocative. When the listener takes note of the lyrics it may bring them back to a very clear memory in their mind.    

 

Ariana Grande – “Thank U, Next”

Writers: Ariana Grande, Victoria Monét, Tayla Parx, Njomza Vitia, Kimberly Kryiuk, Tommy Brown, Michael Foster, Charles Anderson

This song may shock some of our readers but don’t get us wrong — we love Ariana Grande, she is a queen who slays at everything she puts her mind to, but we wouldn’t say this is a very poetic song. The reason she is on the list is because she is able to convey her emotions and personal message with only three word and this is summarized in a very memorable, singable and just won't get out of your head lyric:     :

“One taught me love,

one taught me patience,

one taught me pain,

now I’m so amazing.”

Yup, alright. Thank U. Next!

 

Chelsea Cutler – “Out Of Focus”

Writer: Chelsea Cutler

Chelsea Cutler's song “Out of Focus” has lyrics filled with statements we don’t say allowed but do say in our head from time to time, but there comes a point where enough is enough and we just have to blurt it out and live with the consequences. The lyrics sound like they were straight out of someones journal giving them a raw feel and that is why they are on our list:    

“I hate the way you smoke cigarettes when you’re drunk,

But you always remember to call me,

And I hate the way you say that you’re right when you’re wrong,

But you always come back home to love me.”

 

Julia Michaels – “Heaven”

Writers: Julia Michaels, Uzoechi Emenike, Tayla Parx, Morten Ristorp Jensen, Brian Garcia

This song by Julia Michaels was first released on the 50 Shades of Gray: Freed soundtrack. The song is able to capture the drama, fear and overflowing emotions in the film, which is how a good song in a movie should be.     

“No need to imagine,

‘Cause I know it’s true,

They say ‘all good boys go to heaven,’

But bad boys bring heaven to you.”

Can we get an amen to that?

 

Sam Smith – “Too Good At Goodbyes”

Writers: James Napier, Tor Hermansen, Mikkel Eriksen, Sam Smith

Yes we know, this is a song that everyones heard a billion times. But rightfully so, the soulfulness in the song is immaculate. Sam Smith's voice alone is enough for a song to be poetry. But what he does differently in this song is he speaks on his own flaws, which is a breath of fresh air but also very surprising. Because it is so raw and honest it digs deep into our soles and is better than most love songs that we have heard.      

“But every time you hurt me, the less that I cry,

And every time you leave me, the quicker these tears dry,

And every time you walk out, the less I love you,

Baby, we don’t stand a chance, it’s sad but it’s true,

I’m way too good at goodbyes.”

 

Selena Gomez & Marshmello – “Wolves”

Writers: Selena Gomez, Marshmello, Andrew Watt, Alli Tamposi, Brian Lee, Louis Bell, Carl Ronsen

Selena Gomez and Marshmellow proved to be a good duo and completely destroyed it on the production and instrumentals side of this track. The track continues to shift from romantic and slow to ecstatic and uplifting, the lyrics do a great job aiding the transition. The song is about doing whatever is asked for your partner especially in times of darkness.       

“I’ve looked for love in every stranger,

Took too much to ease the anger,

All for you, yeah, all for you,

I’ve been running through the jungle,

I’ve been crying with the wolves,

To get to you, to get to you (oh, to get to you).”

 

Kendrick Lamar & SZA – “All the Stars”

Writers: Kendrick Duckworth, Mark Spears, Al Shuckburgh, Soiána Rowe, Anthony Tiffith

The song “All the Stars” was featured in the smash hit movie Black Panther, and it is safe to say it was one of the most raved-about songs of 2018. The track does a great job of combining themes like identity, ancestry, hope, power and resilience  — all of these themes are heavily relevant in the movie thus creating a wonderful bridge between music and the world of Wakanda.    

“Love, let’s talk about love

Is it anything and everything you hoped for?

Or do the feeling haunt you?

I know the feeling haunt you.”

 

Logic ft. Alessia Cara, Khalid – “1-800-273-8255”

Writers: Bobby Hall II, Arjun Ivatury, Alessia Caracciolo, Khalid Robinson, Drew Taggart

Although this song came out in 2017, it took to storm in the beginning of 2018. The message is extremely meaningful and much needed. The music video does a great job showing some light in the darkest of moments, and the most confusing moments in life  — moments where our faith and foundations of who we are, are questioned. But what is really important is the song uses the real suicide prevention hotline in the title name, so if you are feeling at your lowest and contemplating sucide please call  “1-800-273-8255.”    

“All this other sh^# I’m talkin’ ’bout they think they know it,

I’ve been praying for somebody to save me, no one’s heroic,

And my life don’t even matter,

I know it, I know it, I know I’m hurting deep down but can’t show it.”

 

Childish Gambino - “This is America”

Writers: Donald Glover, Ludwig Göransson, and Jeffery Lamar Williams 

This may come as a shock for many people as rap music is not seen as being very poetic. But that being said, this song about the anger and anxiety that comes along with the police in America was one that hit home for many people, especially those who have been marginalized by the police since the beginning. Nevertheless whats poetry if not words that make one feel. 

“This is America (skrrt, skrrt, woo)

Don't catch you slippin' now (ayy)

Look at how I'm livin' now

Police be trippin' now (woo)

Yeah, this is America (woo, ayy)

Guns in my area (word, my area)”

 

Conclusion

These are some of our favourite poetic lyrics of 2018 in pop here at Jony Studios.

Because of all the great music that was released in 2018, we definitely forgot a few lyrics, if you think there's one we missed please let us know in the comment section below. Here’s to many years of musical poetry.


If you need further help creating your own music, we offer audio production services that will help you elevate your sound and bring your song to life!

We look forward to being a part of your success.

Contact us here to get started.